In the liturgical arts, there is both a place and necessity for mass produced items that can be quickly procured to stock a church and sacristy with the necessary items for the execution of the sacred liturgy. That said, once that is done there is great value to be found in commissioning original, qualitative craftsmanship and artistry, whether it be of vestments, statuary, or anything else. This activity not only helps to support liturgical artisans, it also helps to create works of art that move beyond "catalogue cliches" into original works that can both inspire interest and pride and also draw attention to them as unique works.
An example of the sort of thing I am thinking of can be found in a set of altar cards that were designed and executed by Nina Somerset for the Anglo-catholic parish of St Silas the Martyr in Kentish Town. Mrs. Somerset trained as an art student in the Bournemouth in the 1920's and died in 1982. The cards incorporate various Old and New Testament figures that are of symbolic value both ecclesiastically and liturgically, as well as for the local parish church for which they were made.
I am pleased to report that these altar cards still adorn one of the altars of St. Silas the Martyr. Let's take a look at them.
The Central Altar Card
(Details)
St. Joseph (upper left), Abel (lower left), Melchizidek (upper right), Abraham and Issac (lower left) |
St. Paul |
St. Peter |
The Lavabo Card
(Details)
The Annunciation |
King David |
The Last Gospel Card
(Details)
The Nativity |
St. John |