If you look at enough vestments over the years, you'll start to pick up on the fact that very frequently when someone became a prelate, frequently multiple vestments would be commissioned that utilize the same design and similar materials, but in different colours. That is mainly the case here as we see a red and a white cope, both of which are made from a gold thread silk lamé, the one in red/gold and the other in white/gold (I specify this for reason that, while lesson common, silver was another option for lamé). However if you look at the embroidered designs on the hood/shield of the cope and the orphreys, you will see that the design is identical. What this tells us is that they were no doubt ordered at the same time -- namely when Bandi was elevated to the cardinalatial dignity -- and from the same workshop.
Apparently even the workshops of the eighteenth century had to put up with the time demands and pressures of their respective clients.