The original building was going to be constructed out of brick, but when Fr. Grutza found out that Chicago was razing U.S. Post Office and Customs House and selling materials at fraction of their value, he made a decision to save the parish substantial amount of money and secure these high quality materials. He purchased all carved stone, wooden doors, bronze railings, light fixtures, and even door knobs. All salvaged materials were delivered to Milwaukee on 500 railroad flatcars.
The construction of the church took a little over a decade and was carried out under a diligent care of the architect and the pastor. The church was built by the parishioners, both men and women, mostly unskilled labor who volunteered their time and frequently all their resources, some mortgaging out their homes to also contribute financially. The interior architecture turned out impressive indeed, voluminous and resonating with the familiar aesthetics of St. Peter’s in Rome. A well-crafted replica of the famous statue of St. Peter is installed in the narthex of the church, and its right foot is worn out, in much the same way the original in Rome has been lovingly erased by millions of pilgrims and visitors.
The interior of the
church is defined by the truly magnificent soaring dome, opulent sanctuary with
central deis and an impressive ciborium, four prominent lateral shrines, carved
stone pulpit, as well as gorgeous stained-glass windows from Austria. The walls
and the ceiling are enriched with numerous murals and decorative paintings, but
these were all added over time, well after the church was dedicated in 1901. The
neo-gothic stations of the cross are in the transept, seven stations on either
side. Two monumental paintings – replicas of important 19th century paintings
from Poland hang in the clerestory – one painting is of General Kosciuszko and
the other one is the acclaimed Rebuke by Matejko. The original of the Rebuke is
housed in the National Gallery in Warsaw and to see its exact replica in St.
Josaphat is both a surprising and moving experience, especially for those of
Polish heritage. The painting represents an historically and emotionally significant
scene when Fr. Piotr Skarga, famous priest and orator, admonished Polish aristocracy
to take better care of their homeland lest in falls in the hands of foreign
powers. We know from history that this is precisely what has happened, and Poland
was partitioned among Russia, Germany, and Austria for 123 years, so this image
is a particularly evocative and powerful statement both of regret but also of hope
that God will restore Poland’s freedom. A grace Poland finally received in 1989.
St. Josephat’s Basilica is currently under ministry of the Order of Conventual Franciscans as well as care of St. Josaphat Basilica Foundation whose mission is the preservation, restoration and enhancement of the Basilica of St. Josaphat as an historical landmark and center of spirituality.