The age of the printing press effectively put an end to colourful missal art for all intents and purposes, but on occasion we find some enterprising person who took the time either to work up a book with medieval style illumination or, as in this case, would take the time and effort to further beautify a printed missal by hand-colouring the monochromatic engravings.
This particular missal was published in Antwerp in 1626 and was bound in a red velvet cover with decorative silver filigree. When someone set about to hand colour the plate art is not precisely known, but I think you will agree the end result is beautiful.
The Proper of the Mass includes an image of the Annuncation paired with border art on the facing page showing the genealogy of Christ via the Tree of Jesse. |
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