Churches of France: Église Saint-Eustache in Paris

One of my favourite churches in Paris, France is the Église Saint-Eustache which is the second largest church in the city after the cathedral of Notre Dame itself. The church is dedicated to St. Eustache of Macon, a third century Roman martyr, hunter and military leader. 

The church's founding origins are rooted in the early thirteenth century, beginning with a chapel dedicated initially to the martyr St. Agnes. Beginning in the year 1223 it shifted to a parish church and its patronal saint shifted from St. Agnes to St. Eustache. Over the centuries, various remodellings happened with the church being enlarged further and further before construction finally began on the present structure in the year 1532. Despite being began during the Renaissance period, a medieval gothic style consonant with much of the architecture of France was selected for the project, which was finally completed 101 years later in the year 1633, being consecrated by the Archbishop of Paris in 1637. 

The exterior of the church is quite an interesting 'hodge podge' of elements, but it is the interior that really shines forth for its architectural beauty so we will make that our focus. There is too much art in this church to attempt to feature it all, so we will select some highlights to give our readers a taste, beginning with a general view taken from the nave that will give you a sense of the scale of the church. 

Of especial note, at least to me, is the splendid 19th century high altar designed by Victor Baltard which is done in the "exposition throne" style that was popular during that period. It includes not only a central tabernacle, but also a canopy which covers it and the altar cross (which can be removed for the purposes of placing the Blessed Sacrament here for Solemn Exposition.) Eighteen tall candles and candlesticks grace this altar, and while this might seem excessive to some, given the scale of this particular church structure, it certainly helps to accentuate the altar as it should.

Also dated to the 19th century is the splendid pulpit designed by Victor Pyanet which is decorated with symbols of the theological virtues of Faith, Hope and Charity. 

The vaulting of the church is also particularly impressive, reaching heights of over 33 metres, thus creating a particularly lofty and imposing gothic style. 

The chapel of the Virgin is also quite impressive, containing three central painted depictions of the Virgin Mary and other decorative work by Thomas Couture in the 19th century.

Finally, we conclude with some other general views taken from St. Eustache.

The great organ

The lesson here is that if you're visiting Paris, France, do make certain to include St. Eustache on your itinerary. 

-------

Do you like Liturgical Arts Journal's original content? You can help support LAJ in its mission and vision to promote beauty in Catholic worship either by: 

Making a one-time donation or

Subscribing monthly/yearly 

You choose the amount! Your support makes all the difference.